ID de tableau:: 649
The Holy Family La Famille Sainte 1509
Stadelaches Kunstinstitut, Frankfurt 1509 Stadelaches Kunstinstitut, Frankfurt 1472-1553
German
Lucas Cranach Locations
ID de tableau:: 1912
The Holy Family La Famille Sainte 1774
Museo del Prado, Madrid 1774 Le musée du Prado, Madrid Spanish
1746-1828
Francisco de Goya Locations
ID de tableau:: 3292
The Holy Family La Famille Sainte 1518
Musee du Louvre, Paris 1518 Musée du Louvre, Paris Italian High Renaissance Painter, 1483-1520
Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828
ID de tableau:: 10348
The Holy Family La Famille Sainte 1775Oil on canvas
200 x 148 cm.
Museo del Prado
Madrid, Spain 1775 Pétroles sur le canevas 200 x 148 cm. Le Museo le del Prado Madrid, Espagne Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828
ID de tableau:: 19686
The Holy Family La Famille Sainte 1521
Oil on panel
Mus??e du Louvre, Paris. 1521 Pétrole sur lambrise Musee du Louvre, Paris. Flemish Northern Renaissance Painter, ca.1488-1541
b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
ID de tableau:: 28087
The Holy Family La Famille Sainte mk61
c.1775-1780
Oil on canvas
200x148cm
mk61 c.1775-1780 Pétrolesur le canevas 200x148cm b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
ID de tableau:: 29043
The Holy Family La Famille Sainte mk65
Oil on panel
48 13/16in
Uffizi,Gallery
mk65 Pétrole sur le panneau 48 13/16in Uffizi, la Galerie Crtona 1441-1523
ID de tableau:: 33663
The Holy Family La Famille Sainte mk86
undated
Oil on panel
93.5x72cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
mk86 Pétrole non daté sur lambrise 93.5x72cm Munich, Bayerische Staatsgemaldesammlungen, Alte Pinakothek Flemish Baroque Era Painter, 1568-1625
ID de tableau:: 34530
The Holy Family La Famille Sainte mk93
c.1634
Oil on canvas
72 1/4x48 3/8in
Alte Pinakothek,Munich
mk93 c. 1634 Pétrole sur le canevas 72 1/4x48 3/8in Alte Pinakothek, Munich Born 1606, Died 1669
ID de tableau:: 34549
The Holy Family La Famille Sainte mk93
1646
Oil on oak panel
46.5x68.8cm
Cassel,Gemaldegalerie Alte Meister
Staatliche Kunstsammlungen Kassel
mk93 1646 Huilent sur le chêne panneau 46.5x68.8cm Cassel, Gemaldegalerie Alte Meister Staatliche Kunstsammlungen Kassel Born 1606, Died 1669
ID de tableau:: 40242
The Holy Family La Famille Sainte mk156
1475-1480
Oil on panel
26x17cm
mk156 1475-1480 Huilent sur le panneau 26x17cm 1430-1491
German
Martin Schongauer Galleries
ID de tableau:: 40979
The Holy Family La Famille Sainte mk159
c.1505
Oil and tempera on canvas
transferred from panel
72.5x57cm
mk159 c. 1505 Pétrole et la détrempe sur le canevas transféré de lambrisent 72.5x57cm Italian High Renaissance Painter, 1483-1520
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
ID de tableau:: 42252
The Holy Family La Famille Sainte mk168
pen and ink on paper
204x208mm
mk168 styloet encre sur en papier 204x208mm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
ID de tableau:: 42461
The Holy Family La Famille Sainte mk168
160x112mm
Temper on vellum
mk168 160x112mm Humeur sur le vélin b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
ID de tableau:: 42475
The Holy Family La Famille Sainte mk168
Oil on wood
30.5x38.7cm
mk168 Pétrole sur le bois 30.5x38.7cm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
ID de tableau:: 55955
The Holy Family mk247
c.1470,oil on wood 10x6 in,26x17 cm,alte pinakothek,munich,germany 1430-1491
German
Martin Schongauer Galleries
ID de tableau:: 62298
The Holy Family 121,5 x 97 cm Museum of Fine Arts, Budapest Whereas the names and works of Vel?zquez and Murillo were known and appreciated by European connoisseurs at a relatively early date, Zurbar?n was scarcely known outside Spain, and even now there are not very many of his works to be found in European galleries. Born in Fuente de Cantos, a small village in Estremadura, he studied in Seville and most of his work, almost exclusively commissions for monastic orders and churches, was done there. These circumstances determined his themes and the way he treated them: he painted hardly anything but religious subjects, mostly scenes from the lives of the saintly or monastic visionaries. His pictures are generally characterized by a severe structure, vigorous forms, rustic models and a close and detailed observation of nature. During the last years of his life Zurbar?n worked in Madrid where, mainly under the influence of Murillo, his interpretation became softer, his way of expression more lyrical and his colours lighter. The Holy Family (The Rest on the Flight to Egypt), signed and dated 1659, is a remarkable example of this late period: a simple composition of half-length figures with an intimate charm and emotionalism strongly reminiscent of Murillo Spanish Baroque Era Painter, 1598-1664
ID de tableau:: 62329
The Holy Family ) 1595 Oil on canvas Hospital of Tavera, Toledo Author: GRECO, El Title: The Holy Family (detail) , 1551-1600 , Spanish Form: painting , religious Greek-born Spanish Mannerist Painter, 1541-1614
ID de tableau:: 62818
The Holy Family 1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious 1728-1779
Dutch
Anton Raphael Mengs Gallery
ID de tableau:: 63693
The Holy Family 1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious
was a German mannerist painter.
His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc.
Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time.
He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I.
Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
ID de tableau:: 67887
The Holy Family Year unknown (before 1615)
Technique Oil on canvas
was a German mannerist painter.
His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc.
Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time.
He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I.
Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 76008
The Holy Family ca. 1610(1610)
Oil on copper
28.5 cm (11.2 in). Height: 37.5 cm (14.8 in).
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 77947
The Holy Family ca. 1610(1610)
Medium Oil on copper
cyf (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 82266
The Holy Family The Holy Familyx, oil on canvas
Date 1630 - 35
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 84547
The Holy Family Date between 1475(1475) and 1480(1480)
Medium Oil on wood
Dimensions Height: 26 cm (10.2 in). Width: 17 cm (6.7 in).
cjr 1430-1491
German
Martin Schongauer Galleries
ID de tableau:: 85185
The Holy Family Date second half of 17th century
Medium Oil on oak panel
Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in).
cjr 1627-1697
Dutch
ID de tableau:: 85310
The Holy Family Date 1518(1518)
Medium Oil on canvas transferred from wood
Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in).
cjr Italian High Renaissance Painter, 1483-1520
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 86671
The Holy Family Date 1630-35
Medium Oil on canvas
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 91047
The Holy Family Oil on canvas. State Russian Museum, Saint Petersburg.
Date 1858(1858)
cyf painted Abraham sacrificing Isaac in 1849
